The work of Bristol sound co-founder the musician-producer, this scabrous if undernourished first film casts a critical gaze on 90s rave culture. Self-serving drug user David (the actor) first robs an unconscious dealer, then in another flashback tries to break into his own parents. In no time, he's upside down in the remains of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The central theme – that the rave-era youth were primarily out for number one – is clearly conveyed. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Poacher turns up, enraged after David kills his dog. Still, a grimly amusing duel unfolds – David desperate to escape; the Woodsman denying his container of cider, determined to dousing him instead in embittered discourse. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Music Video Sensibility
Just a single key story turn, but it leads to a comically executed rampage on the forest trails that veers toward folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the early stages, he now lets rip with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.
The film releases in UK and Irish cinemas from November 17.
